
Book Reviews are a important way of finding out what is out there. Books are being released by publishers every day. Not only will these reviews lead you to a good book but also to good book stores and book shops. Ann Donald runs Kalk Bay Books and she is also a regular columnist in the Sunday Times. Here is an article from her column “ Between the Lines”.
Categorising books in a bookshop is an under-appreciated art form, but one that allows for creativity, and occasionally, sublime irony.
Take the customer a few weeks ago who was searching for books on a green theme.
There, among the hot-planet selection, was the Bible. To be fair, it was actually titled The Green Bible, and given the preponderance of books labelled as bibles — from The Cookie Bible to The Sound-Effects Bible — there was good reason to assume the book focused on the ecological, rather than spiritual, condition of the world.
But it didn’t; it was the Bible, printed on recycled paper.
There is a perfect logic to The Green Bible ending up in the “save our world” section, however; it is the inherent objective of the Good Book.
The more I think about this, the more I question the labels that guide us in our selection of books.
How many times have we spurned novels because of their genre: romance, crime, science fiction, fantasy?
Not to mention our instinct to ignore the injunction not to judge books by their cover.
I have a personal distaste for jackets with gold-foil titles and too many splashes of baby pink, and had always rejected science fiction. I stand by my pink-cover aversion, but a few years ago I was encouraged to rethink my sci-fi prejudices.
It was 2005 and Canadian academic Elaine Newton was lecturing on Margaret Atwood’s Oryx and Crake at UCT’s Summer School. Through her I was introduced to what is called “speculative fiction”, which includes sci-fi.
Atwood herself, writing in the Guardian, described her understanding of the difference between the two: “ The science-fiction label belongs on books with things in them that we can’t yet do, and speculative fiction means a work that employs the means already to hand, such as DNA identification and credit cards, and that takes place on Planet Earth.”
Whichever label you prefer, the subject matter and themes of science fiction offer great storylines and valuable insights that, in the hands of good writers, move the genre into the heady realm of “literature”.
I read Oryx and Crake because I’d enjoyed Atwood’s Alias Grace. Cloud Atlas by David Mitchell was recommended to me without sci-fi being mentioned. I read Anathem by Neal Stephenson, because the cover blurb indicated an interesting storyline. I was engrossed by them all and have been recommending them to anyone who will listen ever since.
I enjoyed Cloud Atlas so much that I even offered to pay my book-club friends to read it. Only one took me up, and she raved about it, too. The others have declined, because they think it’s science fiction and nothing I say seems to persuade them that it’s also brilliant storytelling and extraordinary writing.
Bad writing is bad no matter what other label a book comes with, even “literary”. But I urge you not to reject a book purely because of an unexamined stigma. Unless it comes bound in a pink and gold jacket.
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We need to challenge the stupidity of those who proudly assert that they never read 